One car, several episodes, zero continuity breaks.

Broadcast carries a demand feature films rarely face: duration. A car that appears in the pilot must be able to return in the sixth episode in the exact same state. Same wheels, same paint, same interior. Any subtle change shows the moment a viewer hits next episode. This continuity question is where a series production wins or loses.

Working with a platform or a network also means accepting schedules that stretch. Holding a vehicle for three months, keeping it available for reshoots, managing last-minute calendar shifts. That requires a fleet deep enough not to rely on a single example, and a logistics setup able to follow a production over the long haul, whether it shoots in Île-de-France or beyond.

We currently work with major platform series, mainstream telefilms and auteur documentaries. The brief starts with reading the script or the production deck, not with a price sheet. That is how we align the right vehicles with the right narrative across the full life of the project.